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Choice Words Surrounds

The third in a three part series of Fiction Writers Handbooks, Choice Words Surrounds contains articles outlining:

  • Where to get ideas to write about

  • How to develop vibrant settings that fit the story

  • Items that should be in a writer's toolbox, and

  • An extensive list of clothing styles across the ages to clad your characters in, furniture styles, landscapes and atmospheres that will enhance your stories. Space is provided for the writer to add to the lists making this a personal journal.

  • plus a section of Spontaneous Writing Exercises

    This set is a 'must have' for every writer and makes a great gift.

  • Pages - 156

    Size - A5

    ISBN - 1 876922 03 6

    Price $16.50 AUD plus postage (See Order Form for details)

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    Book Extract



    The Importance of Writing Good Settings

    
    
    
    
    		The manner in which you introduce your reader to the setting of your 
    		story will very much determine whether you keep the reader's interest 
    		in the story and whether you keep your credibility. There are therefore 
    		some factors you should consider.
    	
    		Firstly, if you are writing about a real town in a real state or county, make
    		sure your facts are correct. Make sure the buildings you write about existed
    		at the time you set your story. Make sure the streets existed at the time you
    		set your story. Sure is the bet someone who reads your story will come from
    		that place and will delight in letting you know you were wrong about some
    		point or another. It is therefore easier in fiction to fabricate a town, even if 
    		it is based on a town you know.
    	
    		Settings are more than just places to lob your characters in, they create 
    		atmosphere, mood and realism to your story. How you write your settings 
    		and arrange your props will reveal the level of your craft. Backgrounds should
    		be subtly filtered through the scene, producing a living world behind the action,
    		showing that life goes on behind the plot and action of the story.
    	
    		Create an image the reader unconsciously responds to by play with the five
    		senses. Make them see the scene, feel the wind, smell the rotting garbage 
    		or the new mown grass. Let them hear the sounds of children playing, or dogs
    		yapping. Make their mouth water at the hamburger sizzling on the grill of the 
    		food van. The living world behind the characters interactions can make or 
    		break your story.
    
    				(First page of the article)
    
    
    

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